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Every family audience in India prefers movies that target kids. But history speaks itself that Hollywood make movies for this genre & those movies are not just for kids as the movies is also liked by other category of audience like adults too.
Bollywood movie RAMAA – THE SAVIOUR has stepped into pathways of Hollywood movies where in RAMAA – THE SAVIOUR, the movie is based totally on video gaming.
If Bollywood starts following & delivering Hollywood style movies, it has got no full proof guarantee that movie will yield terrific results & also there is now much more pressure on RAMAA – THE SAVIOUR.
Success in movies comes from strong foundation, techniques & grip over story. Most important element to get blockbuster movie is dexterous direction from director. So, after good thoughtful step, success comes well served hot in a plate!
RAMAA – THE SAVIOUR has got a number of moments that can grab attention of audiences, but those are few in numbers & far between.
The story of RAMAA – THE SAVIOUR revolves around 6 kids – Sameer, Rohan, Komal, Riddhi, Saanjh & Kunal.
All of them play game at some recently launched VideoGame – The Last Battle – & at the same time as when they were playing the video game, they astonishingly find that they are on an isolated island.
All children, while surveying the island, trapped into trouble. Vali [Khali] who is a gaint, attacks Riddhi, but Riddhi gets rescued by Saviour Ramaa [Sahil Khan]. Ramaa resides in this jungle unaided.
Dangerous attack towards Riddhi comes through a boat, which is controlled by Vali with a small band of soldiers along with a scientist-assistant Samara [Tanushree Dutta]. So in brief, the tale is- fight between good & bad.
It’s really toughest job when 1 makes a kid based movie & wants to get universal appeal from every audience. For success, so many ideas & techniques are used. The kids who are in the movie RAMAA – THE SAVIOUR clears their examination with good marks.
But the spoiling job comes from writing section as justice to the idea, concept & the efforts devoted in the project has not yield just results.
Lets begin with the explanations that, some detailed specifications were not given for the protagonist [Sahil Khan], who is simply portrayed as a mix combo of Tarzan & Conan The Barbarian.
Ramaa is capable to connect through telepathy with humans & animals. We are given these details, but I wana ask then why is he living alone in the secluded island-jungle? Moreover, what actually is Vali’s [Khali] relation with Ramaa? Also, what’s the reason behind their fight? Is Vali to be categorized as human/demon/spirit? Samara, role played by Tanushree is also not well written either.
She initially belongs to the evil group, but shifts over to Ramaa’s side with any convincing justification.
Director of the movie, Haadi Abrar deserves applause as he opted for such an innovative plot, but writing lets his work down. The action scenes by Peter Hein are the foundation of the enterprise. Mainly, the battle on the river is fantastic.
Cinematography by Sejal Shah captures the forests with great expertise. Also the songs [Siddharth-Suhas], mainly the 1 that is filmed on the kids, ‘We Don’t Need’, is completely energetic.
Sahil Khan completely displayed his physique amazingly. Tanushree shocked us in action scenes. She has done wonderful job. The new villain, who is Taleb, looks brutal. Khali is satisfactory. All kids are super-confident.
In brief, RAMAA – THE SAVIOUR isn’t convincing at all.
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